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Best
viewed at 1024 x 768 or greater screen resolution,
16 bit color or better. Apertures, Pixel Sizes, and Diffraction Limits. Contrary to popular belief, smaller lens apertures (with their greater depth of field) don't necessarily result in sharper pictures. When the negative effects of aperture diffraction begin to outweigh the positive effects of increased depth of field, sharpness falls off and fuzziness sets in. Smaller apertures also cause slower shutter speeds, often requiring higher ISO settings to make a shot. Understanding how aperture diffraction works and relating how diffraction applies to your camera will help you to take sharper pictures. Cambridge in Colour has an outstanding tutorial & essay about diffraction limited photography. Once I took the time to read & understand it, experiment with the interactive diffraction table, and work with the diffraction calculator, I saw how critically important diffraction limits were. Below: A representation of Cambridge in Colour's interactive visual diffraction table. The grid on the left side represents the relative pixel size of the selected camera's image sensor, the column in the center is an aperture selector, the next column is a selection list of assorted digital cameras, and the column on the far right shows the listed camera sensor's individual pixel area in square microns.
This will all make more sense when you go to the tutorial, read the article, and try out the real interactive table for yourself. The interactive table is a bit shy on instructions, here's some help:
Visual Table Examples:
f/22 is well over
the D2X's diffraction limit. Serious image quality
degradation will result. And the nine pixel
pattern at f/22 would now look something like the
sketch below. The central peaks of light strongly
overlap each other, the secondary light beams have
become mush. Below: Cambridge in Colour's Diffraction Limit Calculator (screenshot) with Nikon D2X values entered.
The visual tables and the diffraction limit calculator both show that one should probably avoid anything higher than f/8 with a Nikon D2X. Looking through the shooting data on pictures I've taken with my own D2X, I can confirm that my sharpest, cleanest looking pictures have all been at f/8 or lower. With this in mind, I do my best to limit my maximum aperture to f/8 or lower on my D2X, and f/11 or lower on my D70 . And I'm not at all reluctant to shoot wide open.
Additional Reading Digital
Camera Sensor Sizes - How do these influence
photography? |