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Best
viewed at 1024 x 768 or greater screen resolution,
16 bit color or better. All content &
photographs copyrighted, all rights reserved.
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Nikon
D100
Nikon's
D100 Digital SLR is lightweight, easy to use, 6
Megapixels strong, and has a street price under
$1,500. It's hard to imagine that four or five
years ago it took more than $20 Grand to buy a
Nikon-bodied 6 Megapixel Digital SLR.
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The D100 is a
favorite among Pros and Amateurs alike...
Why?
- Picture
quality: The consensus among experienced users
is that the D100 produces pictures equal to the
"best of the best" pro digital cameras. In fact,
many professional photographers actually prefer
the output quality of the Nikon D100 over the
Nikon D1x.
- The battery:
The small, lightweight rechargeable Lithium Ion
battery keeps on going, going, going. Typical
comments from D100 owners... "500+ shots and the
battery meter still shows full..." "I took over
a thousand pictures in two days and never
recharged the battery..." "The camera sat idle
in my camera bag for weeks, I took it out &
shot all day long... and never ran low on
power..."
- The battery
charger: Two or three hours for a full charge on
a completely dead battery. No need to ever drain
& refresh the battery. And the charger &
power cord are small enough to put in one of the
side pockets of a camera bag. That means that
I'll never get stuck high & dry if I'm on a
trip, because I can easily recharge the battery
if I need to. I also carry a small 12v DC to
110v AC power inverter with me, which simply
plugs into my truck's 12v accessory plug and
easily powers the charger.
- The weight.
It's really lightweight. Which makes it a
pleasure to carry around, even one-handed.
- The size &
shape: The grip fits my hand nicely (and
securely). And it takes up less room in my
camera bag, which means I can carry one more
lens.
- The built-in
flash. It's right there for unexpected /
unplanned flash situations. Sure, a dedicated
external speedlight is always better, but for
those quick candid flash shots or unexpected
times when a little fill flash boost is needed,
it's right there, just a flip of a button away.
Yes, I also have & use a 'real' speedlight
(a Nikon SB-80DX), but it's not very quick to
mount if I see an unexpected photo moment that
needs a little fill flash.
- The placement
of the LCD screen. It's dead center - which
means no nose prints. On the other hand, it's
right under your nose, so on a cold or
very humid day, breathing through your nose fogs
up the inside of the included snap-on clear LCD
screen cover. The top corners of the clear LCD
screen cover have enough of an air gap to allow
this to happen. Solution? I took my LCD cover
off and put it back in the box. (And I think the
camera looks better without it.)
- The wide ISO
range. ISO 200-1600 in 1/3rd stop increments,
plus Hi-1 (ISO 3200) and Hi-2 (ISO
6400).
- Nikon's
software: The included Nikon View software
(free) does a good job of viewing & basic
processing of Raw files. Also included is a
trial edition of Nikon Capture software,
considered to be the best raw file processing
software in the industry. You can use Nikon
Capture free for a 30 day trial, then it's
around $100 to buy a permanent registration code
if you decide to continue using it. I strongly
suggest buying Nikon Capture.
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Day to day shooting
with the D100
I love the D100 for everyday
shooting because it's ready to shoot as soon as I turn it on
(virtually no startup lag), and using Raw format, I don't
worry about having to make changes to my standard camera
settings. When I see photo opportunities like the ones shown
below, it's easy to pick up & take a quick shot that I
know will turn out good. With Raw format, even if there's a
problem with exposure, contrast, sharpness, white balance,
or almost anything else, I can easily correct it after the
fact on my computer with Nikon Capture software.
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.jpg)
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Donkey
Roundup
ISO 200 snapshot,
Raw format, Color Mode I (sRGB), programmed
automatic exposure, Low Tone (Contrast), Matrix
Metering, Nikon 20-35mm f2.8 D Wide Angle Zoom
lens, Exposure Compensation set at +0.3.
Click
to enlarge, 1200 x 798 pixels, 429
KB.
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"We'll see
what happens when the dust settles ... "
Distant picture
at right, closeup picture below. Shrouded in an
fog like cloud of dust from a (so far) dry hole, a
couple of Texas well drillers stand by as their
equipment grinds its way down through the layers of
dirt & rock in search of underground water. ISO
200 snapshot, Raw format, programmed automatic
exposure, Exposure Compensation set at +0.3, Low
Tone (Contrast), Matrix Metering, Nikon 20-35mm
f2.8 D Wide Angle Zoom lens, Color Mode I (sRGB),
built-in D-TTL popup flash used to add additional
lighting to the shadowed driller's faces (fill
flash).
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Click
to enlarge, 1024 x 680 pixels, 291
KB
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Click
to enlarge, 1000 x 1250 pixels, 471 KB
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Fresh from
the Fish Farm
Somebody's having
fun watching a tank full of of young, frisky
channel catfish being stocked into our
pond.
ISO 200 snapshot,
Raw format, Color Mode I (sRGB).
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.jpg)
Click
to enlarge, 1200 x 797 pixels, 337
KB.
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How I set up my D100
for everyday use
- Tone (Contrast)
Low
- Color sRGB Mode
1
- Sharpening
None
- White Balance:
Auto
- ISO 200
- 3D Matrix
Metering
- Exposure Compensation +
0.33 (Otherwise the D100 will slightly underexpose 95% +
of the time)
- Focus Mode Single Area
AF (Dynamic AF OFF, Dynamic AF with closest subject
priority OFF)
- Focus Area Center
point
- Focus screen gridline
display always ON
- Built-in AF assist light
permanently OFF (via Custom Function Menu)
- Programmed Automatic
Exposure
- Shooting Mode Single
Frame
- Flash mode Slow
Sync
- Image quality
Uncompressed Raw ** (NEF) format. I
switched to uncompressed Raw the first day I set up my
camera. Uncompressed Raw writes to the memory card
reasonably fast, produces few aggravating buffer stalls,
and clears the camera's write-to-card indicator light
quickly. (Not so with the camera's default
compressed Raw format, which produces agonizingly
slow write times.)
** Why Shoot Raw Format? Click
here for an article on why I shoot strictly
Raw.
Here's my typical D100
Raw processing workflow using Nikon Capture and Adobe
Photoshop
In Nikon Capture or
Capture NX
- With in-camera
sharpening set on None, set the Unsharp Mask Intensity at
65-70%, Halo Width at 5%, Threshold at 4
levels.
- Turn Edge Noise
Reduction "On", leave the Color Noise Reduction at
0.
- With Tone Compensation
set on Low, boost the contrast In the Color Balance
Palette to +5.
- In the Color Balance
Palette, reduce the Red setting to -2.
- Set the Vignette Control
Intensity to +150. This balances out the lighting in the
entire picture.
- Adjust Exposure
Compensation if necessary. *If you preset exposure
compensation at +0.33 on the camera itself, you probably
won't need to do this.
- Adjust White Balance if
necessary.
- Right click on the
picture and choose "Open with Photoshop". The image will
be transferred to Adobe Photoshop as an 8 or 16 bit Tiff.
(8 bit is preferred for most applications.)
In Adobe
Photoshop
- Do your final
adjustments, retouching, or printing from Photoshop. If
the picture is a "jewel", save it as a compressed LZW
Tiff (lossless) file for future ease of use.
Two frequently asked
questions
How do you set up a D100 to
change from the default compressed to uncompressed
NEF?
- Press the Menu
button
- Go to the Shooting
Menu
- Right Arrow, scroll to
Image Quality
- Right Arrow, scroll to
NEF (Raw)
- Right Arrow, select RAW
NEF (Raw) instead of Raw Comp. and hit the right arrow
for 'ok'.
How do you preset White
Balance for difficult lighting conditions?
- Turn the camera
on.
- Turn the top dial to
"WB"
- Turn the thumb side dial
until "PRE" shows on the top LCD screen.
- Turn the index finger
dial (on the front of the camera) and the top LCD screen
letters will blink.
- Hold a white piece of
paper or cloth a couple of inches in front of the camera
lens.
- Press the AE/AF Lock
button and press the shutter button.
* You must hold the AE/AF button down or the camera
shutter won't fire.
- "Good" will blink on the
top LCD screen.
- Reset the top dial back
to your shooting mode (Programmed, Aperture, Shutter,
etc.)
- To undo Preset White
Balance and return the camera back to regular White
Balance choices, turn the top dial back to "WB" and turn
the dial until your choice reappears on the screen. Then
reset the top dial back to your preferred shooting
mode.
Links to more D100
Reviews & Information Sites
Link
to Nikon USA's D100 website
Link
to Nikon-Imaging's (Japan-based, English language) D100
website
Link
to Steve's Digicams D100
Review
Link
to Imaging Resource's D100
Review
Link
to DPReview's D100 Review
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